Dramaturgy
$75
Script Consultation
One hour-long script consultation.
An additional follow-up consultation is included at no extra cost.
*Denotes New Play
Echos Inferno by Juliet Kang Huneke*
Freshly Brewed at The Understudy Coffee and Books, directed by Daira Rodriguez (2024)
Crushed by Maria Arreola*
Freshly Brewed at The Understudy Coffee and Books, directed by Karina Patel (2024)
Revenge of the Holy Virgin Martyrs as Told by Hrotsvit of Gandersheim and Her Time Traveling Amanuensis by Kristin Idaszak*
Assistant Dramaturg to Maren Robinson
FIRST DRAFT: Playwrights Collective Festival at TimeLine Theatre Company, directed by Regina Victor (2021)
The Wolves by Sarah DeLappe
Assistant Dramaturg to Catherine Miller
All Trans and Gender Non-Conforming ACLU Benefit Reading at Actors Theatre of Louisville, directed by Regina Victor (2021)
hippolytos by Lane Anthony Flores*
Virtual New Play Festival at The Story Theatre, directed by AmBer Montgomery (2020)
Boxed In by Connor Bradshaw*
The Theatre School at DePaul University, directed by Stephanie LeBolt (February - April 2020)
>>>Visit ttsboxedin.com to explore the immersive website/virtual adaptation of Connor’s play!
VILLETTE by Madie Doppelt*
New Play Workshop, directed by Mallory Metoxen (November 2019 - June 2020)
The Rover by Aphra Behn
The Theatre School at DePaul University, directed by Melanie Queponds (March 2019 - February 2020)
Cowboy and the Moon by Eliana Pipes*
The Kennedy Center American College Theatre Festival MFA Playwrights Workshop (July-August 2019)
Honey Girls by Grace Grindell*
The Theatre School at DePaul University, directed by Carlos Murillo (January - May 2019)
The How and The Why by Sarah Treem
The Theatre School at DePaul University, directed by Mallory Metoxen (January - April 2019)
Contact for a Rehearsal Notebook
I Am Such A Water Activist*
The Theatre School at DePaul University, devised with an ensemble and directed by Francesca Pedersen (February - March 2019)
Desert Stories for Lost Girls by Lily Rushing*
The Theatre School at DePaul University (February-April 2018)
“Emma’s ability to hone in on specific aspects of a new play while remaining open to the fluidity and heavy collaboration necessary in a new play process is absolutely unmatched. As a playwright-dramaturg, their nuanced understanding of dramatic text makes their notes constructive and kind. I’ve worked with Emma while wearing both dramaturg and playwright hats and they have been a joy to work with in either!”
— Madie Doppelt, playwright of About Irene, The Model Play, and Villette
“As my close friend, Emma has incredible instincts. Not only do they take extra care of the planet of the play but they take steps to know and take care of the people they works with. Emma sees the very bottom of the ice-berg and touches every piece floating below the surface. I could never ask for a more insightful dramaturg. Their notes shattered my world and now I know exactly what to write next.”
— Matthew Carpenter, playwright of Heart pt. 1 and Underbelly